Collage-workshop.

 So I went to a collage-workshop held by illustrator and designer Tine Isachsen at the norwegian national museum. We drew with acrylic markers, watercolor markers, regular water colors and fineliners. It was a great experience where you had to make your own collage images, then cut them out and place it all together. Here's my result.

20-year anniversary!

 Just a little post to celebrate my 20-year anniversary as a small company.

I founded MexDesign in August of 2005, just so I could write graffiti and also write invoices. 

Later someone called me about the name and wondered if I could change it, because they wanted to use this .com domain. So I changed it to Artalamex. In case you didn't know, my nickname was Mex. I don't know why :-).

Trippin Water Colours.

What better way to spend the time on a trip to a cabin in the norwegian nature, than to explore the possibilities of a compact set of water colours.

Here's most of the media I used. A compact set of Winsor & Newton Water Colours and a Derwent set of 36 different water colour-pencils. 

First a wet the sheets and when they where semi-dry I fixed them to a plate with masking tape on the edges. Then I just went to town. A clue painting with water colours is to start with the lightest colours like yellow and then go darker and darker. The amount of water also determines the light-level of the colours.

I thought it would be interesing to see if I can combine water colours with pens and markers. I wondered how I could isolate the fields of colour with a black outline. By designing an outline wich can vary in size makes it organic, and I can also hide a fuzzy transition between two colours. Win and win again.

Next image i had the idea of isolated groups of colour in my mind from the start, and started to design shapes in an environment with more or less depth. Maybe the horizontal line helped to sell the idea of perspective?

I slightly added some extra shadows with the set of water colour-pencils when the paint was dry. Then I toned them out with a watered brush afterwards.

Some linework here as well. Used slimmer lines here.

You know, when you first have started you just have to see it through. This was becoming an assignement in steady handwork :-).

Next up, a more flowy, wavy vibe. 

So naturally I was compelled to do a more wavy, flowy linework here.

And here's the finished results:

Until next time folks.

I'm back!

 Hi!

After a two year long break, my vacation is finally over for now. 

I decided to do this blog again, but instead of using it as an online album, I would  rather show my fails and processes. Perhaps also share some insights into how I think while I make, and make mistakes. I think my comment section is open for everyone, but if you have some difficulties, please send me an e-mail at: 

artalamex@gmail.com

It would be really nice to read any feedback! I'm not the most active SNS user, but I'll try to update this blog once a month. And sometimes whenever. 

First thing of the day:

Summer drawing.

The drawing started this June. I got my hands some new sheets of paper from Canson called "The Wall". The paper is bleed-proof deluxe, and super for any messy ink-based shenanigans. It's thick and smooth. My pens came from Uni and where a variety of sizes. Also a Uni-brush pen.

I started doing fast aggressive, thick lines across the sheet, then I added thinner lines. Flow was key here. Some of the first thicker lines got some small adjustments to match this flow. I stopped when I couldn't see any benefit from adding more lines.

Then scanned in 600 dpi (bitmap), and saved it as an RGB-color image.

In Photoshop I always put the original scan as the first layer (from the bottom) just in case I get lost and need a reference. The second layer is a color to set the mood, and so I pick colors to accomodate this early vibe. Then follows two identical layers where only the isolated linework is (strek is "line" in norwegian). 

Layer 3 I use for coloring and the top layer (#4) is just the lines, in case my coloring gets out of hand and it bleeds over and diffuse the linework, I always have crisp lines.

Just make the background layer all black!

For now it looks like this. You can still see a lot of background mood-color. My next steps is to finish coloring this, and in the process discover new gaps I've made in the lines (GAWD!). Then I think I will make several attempts at color-adjustments with the genius ctrl+U. It's a quick vibe-checker!

I definitely see you here when I'm done. :-)

Jørgen